The title of the exhibition dead stock is a reference to the English term for a commodity or material that is superfluous, unsaleable, or defective and is therefore considered “dead” material in a capitalist system. By re-appropriating domestic—historically predominantly female connoted and unpaid—labor processes, the artist shows the enormous potential of the production and circulation of everyday objects in relation to the dismantling of patriarchal gender hierarchies. The nine handmade sculptures in dead stock become symbolic figures for the value of material and labor in the context of gender roles and equality.