The opening sequence of Ingmar Bergman’s film Fanny och Alexander from the year 1982 shows the young protagonist, Alexander, engrossed in play. In the candle-lit scene he is cautiously – as if in a stage-performance – shifting figures around in his toy theatre, creating a variety of perspectives and relationships. The shooting script of this film is displayed in Konstanze Stoiber’s exhibition There Have To Be Bells and refers to a similar spatial situation that the artist creates with her presentation at Domgasse 6. In this historic space characterized by its Baroque architecture, she has carefully positioned recent works together with loans from St. Stephen’s Cathedral as if they were stage props. In their arrangement and inter-relationships they capture and prompt reflections on Christian themes that have undergone fundamental changes in the course of temporal and societal transformations. As in Fanny och Alexander we encounter anachronistic religious customs and collective habits, which Konstanze Stoiber links with the history of the gallery and that of the neighboring Viennese Cathedral of St. Stephen.